Melissa Goodman Cheryl Jenkins Keisha R. Perry Walker
A good producer knows knowledge is power when it comes to Understanding Your Union Contracts so we continue this topic at our September meeting. Entertainment attorney Keisha R. Perry Walker, Esq., production accountant Cheryl Jenkins and Melissa Goodman, Executive Director of SAG-AFTRA, will take you through the contracts covering professional actors on everything from audio-books to big budget feature films, pre-production through post. Above-the-line and below-the-line both will want to learn this important information.
Panel – Intellectual Property & Other Proprietary Rights in the Digital Age: Best Practices and Creative Approaches
Bio: Liz Wheeler is an attorney at UP Entertainment, LLC who is primarily responsible for supporting the development and production of original scripted series and the licensing of content for the UP and ASPiRE networks. In addition, she works extensively with the network’s digital and marketing teams, and handles litigation matters and UP’s domestic and international trademark portfolio. Previously counsel at Turner Broadcasting System, Inc., Liz began her legal career as an associate with The Moore Firm, LLC, an Atlanta-based entertainment and intellectual property boutique, counseling clients on general copyright and trademark matters, as well as recording contracts, literary publishing agreements, film and television production deals, consignment and commission agreements for visual artists, and pre-publication clearance.
Andrew Pequignot is a member of The Moore Firm, LLC, an entertainment and intellectual property boutique firm in Atlanta, Georgia, where he focuses his practice on copyright, trademark, and entertainment matters. He has litigation, transactional, and counseling experience in diverse areas, including fair use and the First Amendment. He is a frequent writer and speaker and has lectured at Emory University and Georgia State University. He served on the committee that drafted the pattern jury instructions for copyright cases in the Eleventh Circuit and currently is on the editorial board of the Journal of The Copyright Society of the U.S.A. (“CSUSA”). He also formerly co-chaired the Southeast Chapter of CSUSA and chaired the copyright committee of the IP Section of the State Bar of Georgia. He has been recognized as a “Rising Star” in Intellectual Property by Super Lawyers magazine each year since 2012. Before joining The Moore Firm, LLC, Andrew was an attorney with the law firm Kilpatrick Townsend & Stockton LLP.
Publications and Speaking Engagements
Copyright/Entertainment Case Law Update, 27th Annual North American Entertainment, Sports and IP Law Summit, November 14, 2015
Appropriation Art, Art Papers event, November 5, 2015
Blurred Lines of Copyright, A3C Festival, October 9, 2015 Copyright Law Update, Atlanta Bar IP SpringPosium, April 10, 2015
Fair Use in Music: Sampling, Rights Clearance and More, Journal of Intellectual Property Law Music and Technology Conference, March 27, 2015
Visual Works and the Elusive Exclusive Right to Display, CSUSA Mid-Winter Meeting, February 13, 2015
Aftermath of the GSU Decision: Practical Realities, Possible Future Impacts, ASERL Fall Membership Meeting, November 19, 2014
Copyright/Entertainment Case Law Update, 26th Annual North American Entertainment, Sports and IP Law Summit, November 15, 2014
Oracle v. Google: Copyright and APIs, Association of Corporate Counsel Legal Quick Hit, October 8, 2014
Cartoon Network, Aereo, and the Public Performance Right, In-House Presentation, July 10, 2014
Ct. Resolves ‘Raging’ Debate Over the Use of the Laches Defense, Intellectual Property Strategist, July 1, 2014
Practicing Copyright Law In-House: An Insider’s Perspective, IP Section of the Georgia Bar and SE Chapter of CSUSA, April 30, 2014
Music Licensing, In-House Presentation, April 15, 2014
The Evolution of Fair Use and the Transformative Use Doctrine, Association of Corporate Counsel Legal Quick Hit, April 9, 2014
A Tale of Two Consent Decrees: Can Music Publishers (Safely) Partially Withdraw from ASCAP and BMI to Directly License Digital Services?, CSUSA Mid-Winter Meeting, February 8, 2014
Best Practices for Intellectual Property Licensing: Addressing the Rights Granted and Assets Covered in Patent, Copyright, Trade Secret, and Trademark Licenses, Association of Corporate Counsel, August 16, 2013
DMCA Update, Kilpatrick Townsend & Stockton LLP, June 6, 2013
The Digital Millennium Copyright Act and Implications of the New Six Strikes Anti-Piracy Program, State Bar of Georgia, May 29, 2013
Appropriation Art, Fair Use, and the Intersection of the First Amendment and the U.S. Copyright Act, Lawyers’ Committee for Cultural Heritage Preservation, May 3, 2013
LEGAL AND BUSINESS ISSUES IN THE WORLD OF FILM AND TELEVISION
Women, men, film/content makers, students, professionals, attorneys, financiers – everyone is welcome to attend the day packed with useful information!
While much of the fun, fantasy and entertainment in film, television and digital media is based on creativity, the framework that holds projects together and makes them successful is based on LEGAL and FINANCIAL guidelines. WIFTA gives you access to the best minds in law, negotiation and financing in our weekend Legal Clinic.
Day 1 features an expansive keynote address by John Cones, the nation’s preeminent authority in film financing. In addition, three panels of leading lawyers and business experts will cover topics of interest to anyone seriously pursuing success in the industry.
Day 2 is a chance for WIFTA members to get their pre-submitted questions answered by highly qualified lawyers in free 30 minute one-on-one sessions. More
Ladies, it is time to bring your A game…but nothing to prepare, just show up ready to live in the moments….YOUR moments specifically. Victoria Spencer Smith just finished honing her skills in a six week Meisner intensive and is excited to share some of what she learned with you. We are looking forward to having you all jump to the occasion by being prepared and focused no matter what is thrown your way!
Everyone’s doing it. In fact, it’s a requirement now for not only filmmakers but actors, musicians, artists of any kind. But what are the pitfalls along with the joys and inspirations? After spending decades in the trenches of casting for other people’s projects, Cathy Reinking ventured out into DIY land without really knowing anything. After two successful Kickstarter campaigns (and a third that didn’t reach it’s goal) and three completed projects, Cathy will share her insights and experience with WIFTA.
Credits: 10+ Years in Network Casting (including two Emmy-awarding winning sitcoms and a stint as Manager of Casting at NBC).
Cathy Reinking has been working as a Casting Director in Hollywood since the early ‘90s, working on “Frasier,” “Arrested Development,“According to Jim,” and many, many, MANY other shows, pilots, films, web series, commercials, plays, musicals – you name the genre, she has cast it. She also served as NBC’s Manager of Casting and holds a degree in theatre arts from UCLA, where she graduated magna cum laude.
Recently she has cast many webseries – “Jeff and Ravi Fail History,” “Frat House Musical,” “Miss Mustard Glade” (that just won an Emmy) and one she also co-wrote & co-produced- “The British Invasion” in which an Asian-American actor pretends to be British in order to get work.
She’s currently casting the indie film “The Goose That Laid the Golden Egg” in Atlanta and the short “The Real Man” that she directed, co-wrote and is producing.
The second edition of her book, “How To Book Acting Jobs in TV and Film: The Truth About the Acting Industry – Conversations with a Veteran Hollywood Casting Director,” is available on Amazon and iTunes.
WOW – what an incredible night! When WIFTA partnered with PGA-WIN, Black Women Film Network, Film Fatales and New Mavericks, we wanted to create something big and empowering to inspire and support the talented women in Atlanta’s production community. And we did just that!
The evening at SCADSHOW started off with 12 powerful women who moved us with personal anecdotes and musings about the ways that confidence can propel us past obstacles real or imagined. Many of you have asked for additional information about them and you can find it below this summary.
Then we had a short panel discussion that covered the basics of each organization. With all that we have going on in 2016, we hope you will become an active part of WIFTA. The power of women supporting women is game-changing!
Finally, some strategies for moving forward were introduced. WIFTA board member Lisa Moore introduced WIFTA’s Legal Clinic in September – details should be up on our website early next week. Erin Bernhardt introduced Creative Visions Foundations opportunity (www.creativevisions.org), Christina Campagnola informed us of a program APA is creating with GA Film Academy to offer in-kind support for indigenous indie film projects (for submissions (GFAAPA2016@gmail.com). And finally Lydia Dean Pilcher, one of the founders of PGA’s WIN program, talked frankly about the need for adding women’s voices to the conversation – on and off screen – and the tools they created to help make that happen (msfactortoolkit.com). It was fast, it was furious and it was the first. We’re already thinking about the next one.
Women in Production Summit was just what we needed to promote and support the talented professional women in the Georgia film industry. With the formation of the new “Georgia Women Film Alliance” we plan to make this goal a major part of the Georgia film Industry future. Last night I attended “Georgia Night in LA”. I took every opportunity to promote this important group of filmmakers in our state. Let’s be a part of keeping Georgia one of the top three film centers in the country. I look forward to working with all of you to achieve this goal.
As Vice-Chair of the Georgia Film, Music and Digital Entertainment Advisory Board and founding President of the Georgia Production Partnership, Shay Bentley-Griffin collaborated with industry and government leaders to create and secure passage of Georgia’s highly successful 2008 Entertainment Tax Incentive.
As a Casting Director for more than 225 TV series and feature films, Shay has earned 3 Emmy nominations and her clients include Oscar-winning directors Ang Lee, Clint Eastwood and Robert Altman. As a Producer, Bentley-Griffin now develops and produces Georgia-based original content for television and film and oversees Chez Studios’ diversity of professional training opportunities for actors and other industry creatives.
Thank you amazing ladies for all the inspiration! I would love for you to stay connected by joining the Creative Activist Network – www.creativevisions.org/can – it’s free to join and will get you into many more special screenings, educational events, networking parties + more. If you have any questions or ideas after checking out all the Creative Visions site shares and joining the Network, please feel free to email me at firstname.lastname@example.org. Keep up the great work!
Erin Bernhardt works at the intersection of marketing, storytelling and impact. She just completed a year-long tour with her first feature film, Imba Means Sing. The film released in December 2015 in 37 languages in over 100 countries. Erin is currently serving as the Director of the Art Farm at Serenbe, a mixed-use 1,000-acre culture- and arts-based community. She is also consulting as the Impact Producer for the Creative Visions Foundation, an LA-based arts incubator. Erin is a former CNN writer/producer and Peace Corp Volunteer. She is a frequent speaker locally and nationally – including TED talks, the UN and the White House. Outside of work, Erin loves adventuring with friends and family, traveling, and practicing or teaching yoga.
EBONY BLANDING – Writer/Producers
Ebony Blanding is a blooming filmmaker + screenwriter and proud native of Atlanta, GA. Blanding has worked as a freelance writer for various online platforms in which she penned think-pieces for opinion and life and culture columns.
In summer of 2013, Ebony formed an indie art film house with a bourgeoning filmmaker and fellow film student, Amber L.N. Bournett, to create content to address a void of women and people of color in film living in fullness and colorfully in modern and imagined context.
Using authorial cinematographic expressiveness to create more thoughtful characters and artfully crafted visuals, Blanding has written and co-directed award winning short films and web series content on subject matters that are often deemed taboo and advocate for the narratives of those who are largely marginalized by mainstream media.
She is a graduate of Georgia State University where she studied Public Relations and Film & Video.
FRAN BURST-TERRANELLA – Producer/Director/Activist
As a producer, director and trailblazer, Fran’s film and television work spans 4 decades, encompasses over 700 productions and has earned more than 100 honors and awards. Her documentaries have aired nationally on ABC, TBS and PBS and her corporate and non-profit clients are of every size and scope.
Her newest project and debut feature film – “The 12 Lives of Sissy Carlyle” — is the wittily insightful story of a young woman who escapes her ordinary life by creating daring, alternate personalities whose fantastic adventures she chronicles in secret journals.
A founding member of WIFTA (1974) and Atlanta Film Society (1976), Fran served as co-president of the Georgia Production Partnership during passage of Georgia’s successful entertainment tax incentive in 2008.
On behalf of everyone at New Mavericks, thank you so much for organizing such a special event! I was honored to be there and rep our organization. As a member of New Mavs, Film Fatales, and a grad student at SCAD, I was so excited to see all these worlds collide and get to know the other organizations. I look forward to many more collaborations and events!
Robyn Hicks is a writer, director, and producer based in Atlanta, GA. Que Sera, a short film she wrote and directed, was recently awarded the Southern Spotlight Award at the Atlanta Film Festival. Other credits include the award winning short film, Picture Show, along with Nirvana: a short film about lung cancer, inspired by her husband’s cancer diagnosis in 2013. Currently, she is pursuing a MFA in Film and Television at SCAD Atlanta and in production on her debut feature film as a producer. She is also working with her husband, Jonathan Hicks, to develop Que Sera into a feature film.
CARRIE ANNE HUNT – Actor/Writer/Producer
Carrie Anne Hunt is an actress, writer, and producer originally from Columbia, SC. She started her career on stage and her classical training has proved to be a strong foundation for her current work in television and film. Carrie Anne first realized that she wanted to pursue a professional career as an actress while performing at the acclaimed Fringe Festival in Edinburgh, Scotland. She is best known for her work in Magic Mike XXL (Warner Brothers), Sleepy Hollow (FOX) and Drop Dead Diva (Lifetime). Carrie Anne is also the founder of Faerie Path Productions, where she is currently developing fantasy adventure series, Otherworld. In addition, she also serves as Vice Chair on the volunteer-based SAG-AFTRA Atlanta Indie Outreach Committee, where she is committed to helping local independent film continue to grow and thrive.
CHERYL JENKINS – Production Accountant/Consultant/Leader
What a historic night! I’m quite thankful to all who came together to create this wonderful event and just as thankful to those who chose to attend. The amount of talent and passion in the room was electrifying. I’m proud to be president of WIFTA and honored to be a part of such a dynamic community! Join us and let’s keep the energy going!
Cheryl Jenkins is a consultant, entrepreneur, and production accountant in the film and television industry. Her expertise and leadership spans almost 20 years beginning in the entertainment mecca in Los Angeles to working with major and independent film productions in Honduras, Houston, New York and Atlanta. Jenkins’ perfected her skills and knowledge while working at major studios such as NBC/Universal, New Line Television, VH-1, MTV, BET and Fox Television.
Now residing in Atlanta, Jenkins develops and manages production budgets worldwide through her company, Production Accounting and Crew Services International (PACS). For the past three years, PACS has held the distinct honor as the official carrier of the votes for the Southeast Emmys. Jenkins’ prominence in Atlanta has also recently led her to be elected for a second two-year term as President of Women in Film and Television Atlanta (WIFTA), a professional membership organization for creative media professionals. Her goals for the organization is to empower members to think outside the box by promoting education and outreach. “I want to be instrumental in creating professional development opportunities and changing the dynamic for the impressive, yet untapped talent and producers in Atlanta,” Jenkins’ shares.
TY JOHNSTON – Producer/Educator
Ty Johnston, producer, professor and CEO of T.Y. Entertainment. She is responsible for all creative and business decisions, including the creation, development, acquisition, sale and production of scripted and unscripted television and new media projects. Ty has created and produced original formats, feature films & reality television for numerous networks and has collaborated with plenty production companies. She leverages the universal market by partnering and distributing content to affiliates such as Netflix, Amazon & Walmart. She has built an empire of valued relationships over the past 2 decades and has established herself internationally as a leader and influential collaborator with many networks and international channels. In addition, she has worked closely with TV and film veterans such as Mark Koops, Executive Producer & creator of The Biggest Loser & Ugly Betty and Mona Scott Young of the Franchise, Love & Hip Hop. Ty also expanded her brand with the launch of The Atlanta Pitch Summit, a marketplace where screenwriters and producers pitch film and TV projects to key entertainment executives. Since its launch date, The Atlanta Pitch Summit has connected many aspiring artists with Hollywood decision makers including Atlanta’s own pioneer producer Will Packer, award winning filmmaker Tracey Edmonds and Robert Townsend, along with a compilation of compelling success stories to prove it.
DEIDRE MCDONALD – Founder/Artistic Director Bronze Lens Film Festival
Thank you to all who were involved with the Summit. Superb, empowering, authentic, nurturing, and magic are just some words that come to my mind. Also ENCORE!!!!!
BTW – The Seventh Annual BronzeLens Film Festival will be held August 25-28th at the Atlanta Marriot Marquis. The line-up includes Nina Yang Bongiovi (producer-Fruitvale Station, Creed), Script Supervisor Dawn Gilliam (Boys in the Hood, Hunger Games, Star Wars: Awakens + more). Films include 9 Rides (shot entirely by cell phone) which screened at SXSW. There are many EXCITING panels, events and films scheduled. Look to each organization you belong to for details on discounts! The website will have the full schedule soon.
Deidre McDonald is currently Founding Artistic Director for the BronzeLens Film Festival. Previously she served as Project Leader for the Georgia Entertainment Media Work Ready Region (GEM), an economic development initiative focusing on job training. In addition, she has been a college level educator who has been involved with curriculum design and student career enhancement. As Senior Producer for Programs and Projects for WXIA-TV/11Alive she was an eight time Emmy Award winning producer/writer who created programming shot locally, nationally and internationally. She is a former President of Women in Film and Television Atlanta (WIFTA) and former Chair of the Black Women Film Network.
Hilda Mercado is a cinematographer born and raised in Mexico City. She has a BA in communications and a MFA in cinematography from the American Film Institute in Los Angeles, California. Hilda attends several training programs and equipment demos a month, just enough to keep her up with new technology and creative tools.
Over the years, Hilda has worked worldwide in countries like China, Kuwait, Costa Rica, Panama and of course, Mexico, on feature films, documentaries and advertising mostly. She has a wide experience with formats ranging from 35mm film to digital and mostly any camera in the market these days.
In her free time, Hilda teaches lighting and camera workshops in the US and Mexico.
Deborah Riley Draper is a marketing guru and award-winning filmmaker. Deborah is a 2016 Film Independent Documentary Lab Fellow and was recently named to the Variety Magazine 2016 Top Ten Documakers to watch. Her current project Olympic Pride, American Prejudice chronicles the untold story of 18 black Olympians who defied racism in America and Germany to win medals and hearts at the 1936 Olympics in Berlin. The film enjoyed a world premiere at the Los Angeles Film Festival in June 2016.
Her debut film, Versailles ’73: American Runway Revolution, was heralded by New York Times and Los Angeles Times film critics. Versailles ‘73 is the first intimate look at the Palace of Versailles fundraiser that became a major fashion movement led by black models. The film screened at the St. Louis International Film Festival, Denver DocNights, and Elle Croatia Fashion Film Festival and by invitation at Toronto Fashion Week, Saudi Design Week, Holon Fashion Week in Israel and broadcast premiered on Logo TV in September 2015.
Every production calls for special talents and skills. Suzan’s greatest strength is to find and transform a diverse group into a cohesive team that turns an idea into a riveting story. From a branded eco-adventure series for Turner Broadcasting to lifestyle reality (HGTV’s Ground Breakers, DIY Network’s MEGA DENS) to EcoSense for Living on PBS, Suzan has created and run multiple seasons of several diverse series. Her current projects include producing and directing “The Van Life,” a smart short form comedy based in Oakland, California that’s cross-pollinating an audience of VW bus enthusiasts with cynical academics. She’s also co-writer and producer of “That Renovation Show,” a mockumentary-style television comedy that goes behind the scenes of a dysfunctional makeover reality series.
Suzan has served on numerous industry boards, including as President of Women In Film & Television/Atlanta (WIFTA) and is a founding member of the Producers Guild of America, Atlanta Chapter and chairs their local Women’s Impact Committee. Her production company is Picture Window Productions.
Born and raised in Birmingham, Alabama, Jen West is an award-winning writer, director and producer living in Atlanta, Georgia. She is known for writing and directing short indie films like Piece of Cake (2006), Crush (2011), Bubble (2013), Little Cabbage (2015) and the St. Paul and the Broken Bones’ music video Call Me (2014). West also produced The New Orleans Sazerac and Bottomless, which are being featured at the 2016 Emerging Filmmaker Showcase at the American Pavilion as part of the Cannes Film Festival. Currently in development on her first feature called Electric Bleau, West studied design at Jacksonville State University and film at The Art Institute of Atlanta.