Halloween is approaching, and ghosts and goblins will be making their debut soon. Some of these of these creepy beings will be appearing in the films this weekend hosted by the Atlanta Horror Film Festival. This year will mark the 11th season for the festival and attendees at this year’s celebration are poised to have a ghoulish, good time. Some films that will be showcased this weekend are as follows:
Film and home improvement – what could these two seemingly different business have to do with each other? Apparently, in Georgia they have a lot in common.
A few years ago, Pinewood Studios was added to Georgia’s studio family and with it came The Home Depot Studio Store. Upon initial glance, these industries don’t seem to have anything to do with each other. But closer introspection reveals that set-building is as crucial to Hollywood as its actors, scripts, and any other key component that make a movie come to life on screen. With this in mind, we can see how these two different businesses can form a symbiotic relationship that results in a very beneficial outcome.
These week Reel Focus explores just how beneficial of a relationship this is by learning more about how The Home Depot is helping the film industry grow in Georgia, one wood plank at a time.
Thank you for taking the time to answer a few questions for our readers. For starters, what is The Home Depot Studio Store and how is it different from regular stores?
The Home Depot Studio Store is unique in that it’s located on the grounds of Pinewood Atlanta Studios in Fayetteville and was built to serve set builders and construction crews who work on movie and television production sets in the Atlanta area. Even though the store has the Home Depot sign on the outside, the inside looks more like a fulfillment center than a traditional store. It is 4,500 square feet with just 2,300 square feet of dedicated sales floor. The store carries about 2,500 different items, and lumber and other construction-related materials are the biggest sellers.
Is the location at Pinewood Studios Atlanta the only store of its kind?
While we do have another store that is exclusively for the Pro customer (contractors, commercial business, etc.) the Studio Store is the only store we’ve opened to exclusively serve customers in the television and film production industry.
Do you all supply product only for set-building or, are you also involved in the labor of set-building?
We only supply product for set-building. We do not build sets.
This seems like a great concept for The Home Depot. Is there plans to expand this concept and how important do you think such a diversion from norm is this for The Home Depot in terms of new business development?
Taraji P. Henson’s ascension from television star to full – fledged movie star continues with the upcoming action flick Proud Mary.
In this movie, Taraji portrays Mary, a hit woman for the Boston Mafia who while on a job comes across a young boy and her life is forever changed. The film boasts a cast that consists of Danny Glover, Billy Brown from How to Get Away with Murder, and Margaret Avery whom we remember as Shug Avery from The Color Purple and currently costars on Being Mary Jane.
The movie doesn’t open until January, but when the trailer dropped a few months ago, many, including myself, were excited to see Henson take on this role which is different from any we’ve seen with her. It’s also rare to see Black women as leads in action films if we’re in them at all. My question is after the lackluster reception of Atomic Blonde and the Tomb Raider trailer will people gravitate to this film?
Let’s hope that the popularity that Henson has gained over the years, especially from her leading role on Empire, will prove that black women can also lead action films to the number one spot at the box office.
I don’t know if you have heard but Oxygen, the television channel that has touted itself as the channel for women, has recently re-branded itself as a crime television network. It still is marketing to women but many of the non-crime themed shows will no longer be part of the lineup. I was shocked to read the news but I was excited to know that some of my favorites will still be on like Snapped. Remember, Reel Focus did a segment last year featuring Snapped Executive Producer, Sharon Martin. I’m delighted with their new line up and I think you will be, too.
Some of you are probably like me — I have a tendency to binge watch crime television shows. So, now that Oxygen is a full-scale crime network, I will likely binge watch the entire network all season long!
I recently saw The Jury Speaks and let me tell you – this is a great show. From what I gathered, this show covers really popular cases and pulls together the original members of the jury to get their opinion on whether they would stick with their original verdict. In hindsight, some jury members change their mind but a majority tend to stick to their original decision. This show has covered high profile cases such as the Michael Jackson trial, the O.J. Simpson trial, and the George Zimmerman trial.
Another show that I have fallen in love with is one called Cold Justice. Former prosecutor Kelly Sigler visits a variety of small towns to help families of victims to solve murder cases that have lain dormant for many years. She and her team of detectives dig up new evidence about the case that ends up leading to a conviction and helps grieving families finally put an end to their dilemma.
These shows that I have mentioned are not all that Oxygen has to offer. I can’t wait to dig into some of the other new shows that they have included in their line up. I’m looking forward to the new one airing on October 1 called Criminal Confessions and the one that just released this weekend called The Disappearance of Maura Murray — both of which seem facinating.
At a time when Marilyn Monroe was the poster child for all things sexy in Hollywood, there emerged another woman – a close friend of Marilyn Monroe – who was to become the Queen of Burlesque. Annie Blanche Banks, better known as Tempest Storm, left her humble beginnings in Eastman, Georgia to launch a successful career in Hollywood and Las Vegas that has spanned nearly a century.
Tempest Storm was and still is a sight to behold but in spite of her outward beauty which undoubtedly was the envy of most women of her time, she lived a not-so-sensational personal life which she kept very private until now.
Director Nimisha Mukerji goes beyond the sexual stereotypes to explore the obscure personal life of this burlesque superstar. Nimisha’s latest documentary explores the pain and triumphs of Tempest Storm in her own words.
Nimisha, I know that you are a very busy woman but I want to thank you for taking the time to allow Reel Focus readers to learn more about you and your latest film project. First, tell our readers more about your background and how you became a film director.
Growing up my mom loved watching movies and she was a fan of every genre, from foreign films to westerns. I think her passion for films is one of the reasons I was so drawn to making them. In high school I volunteered at a local cable station as a camera operator and I took a lot of theatre classes, so I really started out directing small, one act plays as a teenager. I did my undergrad at the University of British Columbia but it wasn’t until my second year that I stumbled on the film program and realized I could take production classes as an elective. At the end of the year students were able to apply for a major in film production (which was a two year course where they only accepted 15 students). While I got shortlisted the first time I applied, I didn’t give up and went back the following year and got in. I often joke my first experience with film was rejection, and it taught me early on you can’t take no for an answer if you want to have a career in directing.
What sparked your interest in doing a biography on exotic dancer, Tempest Storm?
I was immediately drawn to the story of Tempest because she is indisputably the last great surviving burlesque performer from her era, and she’s also a very private person, which I found quite surprising. Tempest is a funny, charming woman, who has given countless interviews with the press. But I wanted to get past the usual questions and answers and delve deeper into her experience to get a better sense of what her life is like today. As it turns out, becoming a star involves a lot of sacrifice and loneliness, and Tempest was very honest about this side of the industry. She was willing to show us both the glamour and the grit involved in becoming an independent, working woman, who started out in the 50s and remains an icon to this day.
How well has your biography been received thus far?
We’ve had a fantastic reception at festivals, especially from female audiences, and thankfully Tempest has been able to attend many of our screenings. At our world premiere at Hot Docs in Toronto we were voted in the top 20 of the festival by audiences, we were also selected as the international spotlight film at Hot Springs Documentary Film Festival in Arkansas, and in Georgia we recently won Best Documentary Feature at the Atlanta Underground Film Festival and Best Director at Atlanta Docufest. These last two screenings and awards meant a lot to us since Georgia is Tempest’s home state and we filmed parts of the film in Eastman and Waycross.
What’s in the works for you in the near future?
I’ve been directing for television this past year and had the opportunity to work with DisneyXD and Amazon which has been really fun. It’s great to collaborate with actors and work with visual effects! It’s also been a nice change to have a script! I’ve spent the past ten years making feature documentaries where the story is constantly evolving. I’m looking forward to developing a feature script based on a novel as well as a half hour comedy series that I’m been thinking about for a long time. While I love working as a director I think the best way to move the needle forward for women is to keep creating content that features our own stories and voices. I’m excited to keep directing and writing for both narrative films and documentaries.
Georgia is home to the third largest film industry and has most recently been named number one for feature films, even surpassing Hollywood in feature filmmaking — the long-standing leader in the industry. This is exciting news for Georgia and as a result of this boom, Georgia’s film industry is growing much faster than many expected. It is growing so fast that jobs outpace the local qualified people who can fill them. In order to fill this gap, Georgia Film Academy (GFA) was created to train locals in film so that Georgia can utilize its own homegrown talent to fill some of these positions.
As Georgia’s film industry continues to grow, Georgia Film Academy will inevitably grow with it. To find out more about how you can train to become part of Georgia’s growing film industry, visit www.georgiafilmacademy.org to learn more about the program.
Joi leaves behind a great legacy. This Brooklyn, New York native was coined as “the first licensed African American Female Road Racer.” Reel Focus salutes this pioneer and leave you with her very special words about never giving up:
“There is always something to learn when on track and pushing limits…Everything takes time. Face your fears, you never know what you can be missing out on.”
Atlanta Underground Film Festival (AUFF) touts itself as more than just a traditional film festival. It was founded in 2004 to provide indie filmmakers an outlet to express their creative talent at the grassroots level. AUFF features artists who think outside of the box to create films that thrive outside of mainstream competitions. This film festival provides a platform for the astounding work of local indie filmmakers to be heard. Filmmakers are “from every corner of the earth, with a good mix of local, national, and international films,” says a spokesperson for the festival.
The festival will take place Friday through Sunday and will include over six dozen films. Highly anticipated films include:
The Afterthought – Reel Focus blogger’s initial reaction to a new television show, new film release or television show season premiere.
The 2017 summer movie season has seen its fair share of disappointments where the box office is concerned. Fate of the Furious broke records during opening weekend, but after that, the ratings plummeted and set the tone for what seemed to be a season of massive flops. King Arthur, Baywatch, and The Mummy all – one after the other all crashed and burned at the box office.
Then came along advertisements for the one movie I and a host of other moviegoers had been looking forward to: Wonder Woman. I’m sure after the domino effect of movie flops this season, moviegoers were a bit apprehensive about this one. But after its release on June 2nd, it still continues to break box office even over a month later after its release.
This action adventure directed by Patty Jenkins is a phenomenon that has left a lot of studio executives marveling and scratching their heads at the same time. Why has Wonder Woman succeeded when these other films this season have not? Why did this film work both critically and among the fans when Batman vs. Superman and Suicide Squad left moviegoers with a sour taste in their mouths?
As a writer, I believe that one reason this film worked so well is because the script was well-written and easy to follow, not to mention the quality acting and directing. With all of these things working in sync, I pose a better question “How could it have not succeeded?”
My Synopsis of the Film
My overall opinion of Wonder Woman is that it surpassed any and all expectations I had. The script had me entangled in its web from beginning to end thanks to Jenkins direction and Gadot and Pine’s chemistry. It is undeniable from the jump that DC is trying desperately to make up for the debacle of Batman v Superman and the critical failure of Suicide Squad by taking a serious look at their movie roster and the improvements needed to compete with the juggernaut that is Marvel.
The Afterthought – My Take on the Film
Hiring a female director with an excellent track record was a smart move. Patty Jenkins, an award – winning director from the film (Monster) and television (The Killing) was chosen to bring the story of the Amazonian superhero to the big screen. Deborah Snyder, one of the producers of Wonder Woman said it would not have felt right to have a man direct the long- awaited film about the Amazon superhero and that along with Jenkins’ passion for the project placed her as the front-runner.
Finding the right person to embody the heroine was also of vital importance. Gal Gadot who is best known for her role as Gisele in The Fast and Furious franchise plays the role of Diana Prince/Wonder Woman with the perfect mix of vulnerability and badassness that has earned her well – deserved accolades from critics and the fan base. Casting Chris Pine as her love interest, Steve Trevor was a coup as well since he’s proven himself to be a credible movie star in films like Hell or High Water and the Star Trek franchise.
Wonder Woman has been on Jenkins radar for years. She first pitched her idea of an origin story to the studio back in 2010 but was rebuffed in favor of another female director. When that director and the studio clashed due to “creative differences,” Jenkins was called back in, and the rest is history.
The movie has now been out well over a month and has grossed $700 million worldwide and still going strong. News broke that it has held box office momentum better than any superhero film in the last 15 years. Justice League featuring Gadot alongside Superman, Batman, The Flash, Cyborg, and Aquaman will be coming out later this year, and I am sure the studio is hoping that the audiences who rushed out to see WW in her solo film will support this ensemble piece. After all, she was the one thing about Batman vs. Superman that worked and the only superhero (besides Spidey) that people seemingly care about right now.
WW2 is scheduled to make its debut in December 2019. Rumors have been swirling about the plot line for WW 2 and whether or not a particular character will be resurrected from the dead. All that is pretty much concrete, for now, is Gadot is committed, the setting could be during the 1980’s, and it will be dealing with the Cold War era. Jenkins is still negotiating her deal, but it is highly likely she will be returning as well.
The film is going to do well regardless of what decade it’s set in because Jenkins and Gadot have the recipe that reignited interest in the D C films: girl power on the screen and behind the scenes plus charismatic leads and an excellent story will bring the masses to the theater.
IMDb Film Synopsis
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war, discovering her full powers and true destiny.