What is it like to be a black woman in America? How do black women feel about how people perceive their hair; about raising children; about marriage and relationships; and about black men?
“I am not my hair,” are the words spoken so fiercely by the neo-soul singer, India Arie in defense of black women being more than just a hairdo. Likewise the three co-hosts of this show – Monica Kaufman, Denene Millner, and Christine White – are much more complex than their hair, skin, clothes, and finely manicured nails. They represent a diverse mix of African American women from various generations, professions, and perspectives. These three women have teamed up to give a voice to issues affecting not just the African American community but more specifically African American women in GPB’s new show “A Seat at the Table” premiering Sunday, June 18, at 6:30 p.m.
Last Tuesday afternoon, GPB invited a small group of media professionals out to get a sneak peak of the show. The meeting started with a luncheon that allowed attendees to network with each other and to get to know the show producers better.
Bert Huffman, VP for External Affairs and Chief Development Officer, along with the producers of the show – Keocia Howard and Tiffany Brown Rideaux – entertained questions from the audience about how they chose the co-hosts and how they chose the topics for the show. They also hinted at some ways to grow and expand the show series beyond public television and into a commercial platform, while maintaining GPB’s commitment to educate, entertain, and inform audiences.
The ladies of ASATT took a break from filming an episode on the topic of “do black men support black women like black women support them” to share with the audience more about the show. Although these three women are from three different age groups and professional backgrounds, their synergy was as genuine off-screen as it is on-screen. Audience members asked a variety of questions and the hosts took turns responding to them. One point that each host emphasized is that this show would allow people to see them express their real feelings about real things that affect them individually as black women in America. This show “gives voice to what hasn’t been spoken of in public,” says Christine. Thanks to GPB’s unconventional platform, no topic that these ladies tackle will be too taboo or controversial, and they will reflect an African American woman’s perspective – a perspective that often overlooked or undermined in mainstream media platforms.
After the question and answer period, the ladies returned to what they do best: entertaining. The audience was invited to the studio to see firsthand what it is like to watch a live taping.
A seat at the table premieres June Sunday, June 18, at 6:30 p.m on GPB. To view episodes on the web, visit gpb.org/asatt.
Monica Kaufman Pearson is the first minority woman to anchor the daily evening news in Atlanta, Georgia and currently hosts a three-hour weekly music and talk show on Sunday on KISS 104.1 FM and also does Closeups Interviews for WSBTV.com
Denene Millner is a New York Times best-selling author who has penned 27 books which include Act Like a Lady, Think Like a Man co-written with Steve Harvey and Around the Way Girl memoir with Taraji P. Henson; and she is a former columnist for Parenting magazine.
Christine White is a speaker, author, investor and business advisor who currently serves as the Managing Attorney at White Legal Strategy Group, LLC and is the co-founder and President of Influencer Coalition.
Georgia Public Broadcasting (GPB) is Georgia’s “free” television. Most of us know of public broadcasting for our favorite childhood shows like Sesame Street, Reading Rainbow, and Mr. Roger’s Neighborhood. Aside from these great classics, most of us find other great shows on this channel. One of my favorite shows that helps me to escape from reality all in the comfort of my own home is Rick Steves’ Europe Through the Back Door. For those not familiar with this show, Steve tells a tale about various places in Europe and goes to mainstream places in Europe with small tour groups visiting small, not-so-commercial places in Europe. It allows for a much more intimate exploration of fantastic places in Europe. Aside from kids shows and travel shows, GPB also has many unique documentaries covering wars, social issues, and historical topics. They also have one of my favorite news shows – Frontline – which covers so many provocative news topics that you probably wouldn’t see on mainstream news stations.
I can go on and on about how much enthusiasm I have for this television station but I’m going to digress and allow someone from the station tell us more about it. For this blog, I have collaborated with Mandy Wilson, Communications Manager at GPB and Pamela Roberts, Executive Producer at GPB – to tell us more about how awesome this television station is.
MC: I enjoy GPB! It is the home of some of my childhood favorites, travel shows, food shows, and great documentaries. If it weren’t for this station, I wouldn’t know about some of the exciting things in history or current events that aren’t discussed on primetime TV. Enough about my enthusiasm for GPB – tell our readers why GPB is important to Atlanta.
MW: GPB’s mission is to educate, inform and entertain, and we carry out our mission by delivering thought-provoking, insightful programs like Frontline, Morning Edition, American Experience and All Things Considered. We also develop educational resources and original programs such as Georgia Outdoors, Georgia Traveler and 37 Weeks: Sherman on the March, while working with statewide and regional partners on multi-platform initiatives that enable us to enhance the relevance of our programming and better serve the needs of our communities.
In addition to our national footprint from PBS and NPR, GPB also brings a Georgia perspective to the world with the national airings of GPB Original documentaries like Augusta’s Master Plan and Margaret Mitchell: American Rebel, which swept the 2012 Southeast Regional EMMY® Awards with wins in five categories, including historical documentary.
GPB Original programs like Georgia Traveler and Georgia Outdoors capture our state’s people, heritage and natural beauty and also offer supplemental education materials correlated to Georgia Performance Standards. GPB highlights community life with weekly coverage of high school football games on television and on the web, along with coverage of the annual GHSA Football, Basketball and Cheerleading Championships.
The annual broadcast of over 3,000 hours of trusted, commercial-free PBS Kids programs such as Sesame Street, Super Why!, and Dinosaur Train assure parents and caregivers that GPB is a safe haven for children. And while this has been a cornerstone of content offered for our young learners, GPB also offers original content at gpb.org that includes the games “Dinoventures” and “Salsa!.”
Additional educational multimedia content delivered though gpb.org includes digital assets for use in the classroom, such as video clips, curriculum, writing prompts and lesson plans, all aligned to Georgia Performance Standards. Over 80,000 Georgia educators regularly use GPB assets.
How does GPB determine what is in the television lineup? Is educational programming the only types of shows that can be on this network?
GPB receives much of its programming from PBS, but it also has access to programming from American Public Television, the BBC, and others. GPB produces a significant amount of original series like “Georgia Outdoors,” and “Georgia Traveler,” as well as original documentaries. We also work from time to time with Georgia-based independent producers for content. What goes into the schedule and where is based on careful analysis of audience response ranging from Nielsen ratings, to phone calls, letters, and emails received, as well as public financial response during membership campaigns, and of course what – in GPB’s best judgment – is important for audiences across the state to have exposure to. And though there is certainly an educational component of some degree to most of what GPB broadcasts, it’s not all an educational mold, but represent a true alternative to what is available on commercial television.
If I am not mistaken, this network has a lot of British programs that air. We have a sister organization of Women in Film and Television in London. Inform us and them of how you choose shows for your British segment of GPB.
Just to piggyback off of the last point I made about shows not all fitting the educational mold, we have the British segments which are comedies that air on Saturday nights. Decision making for the purchase of British shows is no different than that of American shows. It’s all based on quality production and content and also based on what viewers have responded well to in the past. Hence, we expect good response for these shows in the future.
Many of us have different interests in film and television. Tell our audiences how a career in public television could be something that could be worthwhile as an alternative to Hollywood.
Before I answer this question, Melisha, let me give you a little bit of my background in documentary making on GPB. One of my latest projects is “Dean Rusk: At the Heartbeat of History” about Georgian and former Secretary of State Dean Rusk. It premiered on GPB on May 27. Also, my GPB original documentary “Margaret Mitchell: American Rebel,” was released in 2011 in conjunction with the 75th anniversary of the book “Gone With the Wind” and won five Southeast Regional Emmys and was featured as an episode of the national PBS program “American Masters.”
Now to answer your question, I will begin by saying I am truly fortunate to have had a career as a documentary filmmaker in public broadcasting, but I didn’t set out to do that. After graduating from college I moved to L.A. to study filmmaking at the University of Southern California and worked on both student and feature films, doing everything from script writing to schlepping cables as a production assistant. I had begun the laborious process of working one’s way up in the film industry which would hopefully pay off in becoming a Hollywood writer or director one day. After a while, however, I realized that my interests lay in the real world around me rather than in the world of fiction. Working with film school friends on the side, I made little nonfiction pieces and showed them to people who encouraged me to change directions.
Finding public broadcasting was like coming home. I have been at GPB for 17 years and have never had a day when I didn’t learn something. I have never been bored. I feel deeply privileged to be part of PBS which has the highest standards in terms of content, production values and original programming. I have lived in the world of American Masters, NOVA, Frontline, and Masterpiece Theatre. I have produced programs for Georgia and for national PBS and I have met and worked with extraordinary people both in front of and behind the camera.
Perhaps I could have had a successful career in Hollywood, but I am so glad I chose public broadcasting. Documentary filmmaking gave me an excuse to enter worlds I would otherwise never see, to meet people with extraordinary ideas and experiences and to learn about the roots of our life today from the richness of our history. Thanks to public broadcasting, I remain continuously fascinated by the world around me.
“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the government for a redress of grievances.”
Remember this from the Bill of Rights of the Constitution that we learned back in school. This is one of those things that we take for granted because we in the U.S. are such a free thinking, democratic society. Many countries around the world don’t have freedom of speech, let alone freedom of press; but we do and we are a remarkable country because of it.
Ok, enough of my philosophical rambling. The purpose of this blog is to reintroduce readers to a very important form of free speech that I feel is underutilized in this day and age. It was developed in the 1970s – a time in America in which people were roaring with passion for the right to demonstrate their Constitutional Rights guaranteed in the Bill of Rights. This development in television is known as Public Access Television.
For this blog, I am collaborating with Adrian Coleman-Tyler, who serves on the board of directors for People TV, to tell us more about this resource that many often forget about as an alternative way to “break in” to television.
Thank you Adrian for taking the opportunity to talk with us about Public Access Television – known in Atlanta as People TV. Adrian, for starters, tell us more about Public Access Television in Atlanta and how it can help those of us who want to begin a career in television.
People TV, Inc. (PTV) is an Atlanta based non-profit organization that manages the public access television channel for the City of Atlanta, Comcast Channel 24. Founded in 1986, PTV operates a media production center in Midtown Atlanta that houses two television studios, video and post production facilities. Our mission is to empower and encourage Atlanta residents and non-profit organizations to exercise their First Amendment rights and facilitate public engagement through the medium of television. In addition to managing the public access channel, PTV is an educational center offering low cost workshops in television and video production including non-linear editing and digital camera.
People TV is home to a diverse community of media makers. Many come to us with little or no video or television experience; still others are award winning filmmakers or working television professionals in search of a creative platform. Our producers reflect a diversity of backgrounds – cab drivers, broadcast journalists, graduate students, teenagers and grandmothers; but, they share the common goal to express their story, their way.
Tell us why People TV has been and is still such a big deal to the local Atlanta community.
People TV, like public access centers around the country, is where aspiring musicians, comedians, journalists, actresses, and video producers/directors come to get their start or develop their ‘reel’. In our 28 year history, Atlanta’s notables in every field (civil rights, politics, banking, education, religion, arts and more) have connected with People TV, Inc. in some way – taken a workshop, produced a TV program, appeared as a guest or host, served on the Board of Directors or volunteered to teach a workshop. As proud as we are of the who’s who, we’re equally proud of our volunteer producers who aspire simply to create programming to express their views, faith, art or culture and engage with Atlanta audiences.
What is the cost of producing programming on public access television or other services offered by People TV?
People TV, Inc. makes every effort to keep our fees affordable to keep our services accessible, most under $100. Atlanta residents are given priority access to the channel and our programs including workshops. Non-Atlanta residents may apply but availability may be limited and fees may be higher. Persons interested in our programs should visit our website for calendar of events.
How do viewers watch programming on People TV and how can those interested in being on People TV get involved?
Before I proceed with answering that question Melisha, I just want to say thanks to People TV viewers who have supported us for 28 years! Our goal in 2014 is to get Atlanta talking, spark dialogue and connect communities. Now to answer the first part of this question, in order to watch People TV, Comcast subscribers in the City of Atlanta may watch on Channel 24; or, viewers can opt to watch it online at our website www.peopletv.org.
To answer the second part of your question, People TV will be accepting programming applications for next channel season in May. Those who want to be considered can visit our website for upcoming workshops and events or check our programming guide. Viewers may also connect with People TV on Facebook at www.facebook.com/peopletvAtlanta
How is television like this sustained, i.e. through community support, sponsorship, etc.?
The City of Atlanta is fortunate to have had a history of progressive leadership who have supported public access television since the 1980’s for Atlanta residents. People TV, Inc. is supported primarily through a contract with the City of Atlanta, supplemented with community support, sponsorships and grants.
Thanks Melisha and WIFTA for your interest in People TV, Inc. In closing, I’d believe George Stoney, often referred as the “Father of Public Access Television” words best describe the value in public access television.
“We look on cable as a way of encouraging public action, not just access. Social change comes with a combination of use of media and people getting out on the streets or getting involved. And we find that if people make programs together and put them on the local channel, that gets them involved.”