Edutainment – learning about film and television one word at a time.
These two words – script and screenplay – are used erroneously in the world of film and television interchangeably. Although these words are very similar, they are distinct. The definitions of these words below come from the IMDb Glossary page.
“A general term for a written work detailing story, setting, and dialogue. A script may take the form of a screenplay, shooting script, lined script, continuity script, or a spec script.”
“A script written to be produced as a movie.”
Both of these written documents help an actor and a film crew to remain organized throughout the course of recording a motion picture or television show. However, as you can see from the definitions above, a screenplay is a description only for film and a script can be used to describe a variety of scripts. Although a script can describe a screenplay, the opposite isn’t true – a screenplay can’t describe a script unless it is a film script.
“Words are power. Use your words and your power wisely.”
The Afterthought – Reel Focus blogger’s initial reaction to a new television show, new film release or television show season premiere.
I really like watching some of the shows on TVOne particularly the show Fatal Attraction, which reminds me of the television show on Oxygen called Snapped. I can also catch some of my other favorites such as Unsung, A Different World and Martin Lawrence on this network. While recently watching my favorite shows, I kept seeing promos for a new show called Born Again Virgin. I must say, commercials do have a hypnotizing effect because upon watching the promo initially, I had no intention of watching it. However, a few days prior to the show’s premiere, I couldn’t resist the idea of watching it – at least once. I also discovered that this is a show filmed in Georgia so I had to show my support for it.
My Synopsis of Episode 1 – “No New Friends”
Although the main character, Jenna (Danielle Nicolet) is practicing celibacy, the show ironically opens up with her dreaming of erotic ecstasy with a man by the name of Donovan (played by singer Tank). She is awakened by her friend and roommate, Kelly (Meagan Holder) who catches her in the throws of ecstasy with a pillow while she is sleeping. Jenna is upset with Kelly for interrupting her during her only time that she is allowed to escape from her self-imposed decision to not have sex. The show is primarily about Jenna and her issues with sex but we do also get a glimpse into the lives of her roommates. Kelly is a successful businesswoman who is great at what she does but continues to suffer from the glass-ceiling effect. Despite being like “one of the boys” and being just as competitive as men are in business, she is still facing career blockages that men usually don’t face in business. A new co-worker, Gina (Valerie Payton), who was recently hired at the firm takes interest in being OBF’s (office buddies forever) with Kelly and tries to persuade her to be more feminine and lady-like. Jenna’s other roommate Tara (Eva Marcille) is also dealing with career issues. She is an aspiring actress that can’t seem to catch a lucky break. The class that she attends for improvisation is completely stupid according to her, not to mention creepy. The episode concludes with Jenna hosting at her apartment a session of her virgin-only class that she recently joined. The teacher of the class, Renee, is played by a familiar face that we have seen here on Reel Focus, Tinashe Kajese (click link to see her article). Tara and Kelly burst in on the meeting and Tara, who is practicing being more open, reveals to Jenna’s class that she is not a virgin nor is Jenna and that Jenna has been with many men but is now reclaiming her virginity. This disgusts all members of the class and all of them leave except Angel (Chrystee Pharris) who is a 35 year old virgin that wants to experience sex for the first time and wants Jenna to prepare her to attract a suitor. Ironically, after helping Angel get fixed up, she loses her virginity to the same man that Jenna secretly craves – Donovan.
My Synopsis of Episode 2 – “Go Hard or Go Home”
In the next episode, we get to see more of Jenna’s profession. She opens up the episode with the decision to start adding video messages to her blog. This results in a lot of unrelated video messaging added to her sites from subscribers. Jenna’s roommates are continuing to go through career woes. Kelly gets her hand on a big contract promoting a video game by Omari Wilkes’, a famous basketball player. After beating him at his own video game, he decides that he doesn’t want to do business with her firm. Devastated, Kelly, who is mocked by her co-workers and her boss for allowing such an important contract to slip through her hands, goes to the gym to have a heart-to-heart with Omari to insist to him that she is the right promoter for his new video game. Luckily, he gives her another chance to represent him. Tara is so determined to get her acting career underway she calls up Lisa Woo, another TVOne star on the show “Hollywood Divas,” to help her get a reality show gig lined up. Tara takes her phone and video tapes herself doing outlandish things in order to convince Lisa that she can have her own reality show called the “Tara Dome.” After Lisa sees her video, she tells Tara to give up on the reality show business because it takes away opportunities from current reality stars like herself. The episode ends with Jenna finally receiving a legitimate blog video message from a troubled girl. She records a message for the teen telling her how to deal with the issue of celibacy.
The Afterthought – My Take on the Show
Just like with any new show, this show has promise and deserves a chance. The writers seemed to focus on African American women’s issues in a funny way. One major issue that stood out for me is the issue of being torn between being “lady-like” and a competitive professional business woman. Two other issues that were raised were the struggles of trying to be an entrepreneur as witnessed in Jenna’s character as a career blogger; and the issue of trying to be successful in the world of acting as witnessed by Tara’s character. The cinematography was great and of course I was excited to see scenes of Atlanta scattered in between scenes. Overall, I think the first few episodes introduced the characters well but I am hoping that as we get to know more about the ladies that the plot will thicken and the tension will build each week.
IMDb Show Synopsis
Jenna (Danielle Nicolet), a 34 year-old up-and-coming blogger, decides to become celibate when she finds her body count is starting to trump her age. Using her blog as encouragement for her newly adapted sex diet and also as a sounding board for her girlfriends’ often amusing “sexcapades,” Jenna is determined to make the blog a success and transform her friends in the process.
Russ Par & Rashidi Natara Harper
Glenda Richardson, Aeysha Carr, Valencia Parker, Ranada Shepard, Meg Deloatch
Reel Focus readers, one thing that you may not know about me is that history, not film, was my first love. Like an archeologist, I have a knack for exploring some of the most little known topics imaginable. So, it should come as no surprise that when I was looking for an interesting piece to present to you this week, I searched high and low for something that many people may not know about. I came across a website called Chickasaw TV and started crawling through it searching for something that could make an interesting blog article.
The Chickasaw Nation is a large community of Native Americans who reside primarily in Oklahoma. This nation of Native Americans belonged to one of the Five Civilized Tribes that used to reside east of the Mississippi river, spread across Mississippi, Alabama, Georgia and Florida before the Trail of Tears led them to their new home out west. As I continued to peruse their website, which is a great display of their culture, I came across an interesting person by the name of Te Ata Fisher. She was a Chickasaw actress and storyteller who used her acting skills to spread knowledge about the culture of American Indians, particularly the Chickasaw Nation. Coming across Te Ata’s profile was a great discovery, especially for our organization – Women in Film and Television Atlanta.
What I love about Te Ata is her tenacity. Even as a youth, she did not buy in to the stereotypes of what a woman should be in the community. She desired to do something out of the ordinary – especially for Native American women – and headed to Broadway to begin her career as an actress. Her desire to be a success didn’t make her a push-over, however. Te Ata adamantly refused to take on roles on Broadway that portrayed her or her race in a negative or stereotypical way. As a result of her refusing big Broadway roles that could have led her down the path of commercial success, Te Ata opted to go a different route. Instead, she used acting as an educational opportunity, performing as a one-woman show to enlighten audiences in New York and around the world about Native American Indian heritage.
Te Ata was and still is a beacon to her people and to women around the world who fight against the odds and use their talent to improve the plight of other women. This film will shine light on this little known actress whose name means “bearer of the morning.”
I’m so sad to see this year’s comedy showcase come to an end; but all good things must come to an end. We will end the week with a bang by “passing the mic” to a newcomer to the comedy scene, current Harvard student Sierra Katow.
Thank you Sierra for your contribution to our blog this week. I want to begin by first asking what do you think is the hardest part about being a female comedian?
When I first started, I always looked very different from all the other comics at open mics: 5’ tall, girl, Asian, teenager. People tended to remember if they’d met me before, so it felt easier to make an impression. However, as I became more serious about comedy, I realize now that it’s limiting and hard as hell to be a woman in the comedy world. There are so many men in comedy that it feels like it’s their place and when you look around in a room full of comics and don’t see anyone who could be you, it seems like you don’t belong. This is, of course, all bogus. I think one of my biggest challenges has been getting over that intimidation and realizing that I can hold my own as a comic. There are always small comments that I have to ignore, but I think there is so much happening for everyone in comedy now and seeing people like Amy Schumer and Whitney Cummings really make an impact on the comedy world makes it feel possible!
How do you come up with material?
I’m still figuring out the best way to come up with material and write comedy. I keep notes on my phone and make sure to record ideas whenever I can, which is a tactic a lot of comedians swear by. Then, I’ll try to sit down and form actual jokes from the sporadic ideas. Sometimes I’ll keep my phone by my bed and actually wake up to find that I wrote really strange ideas down. One note just says “Bbertha” (yes, that’s not a typo) and I still can’t figure out to this day what I meant by that. I still just have a lot of gibberish saved on my phone that haven’t yet turned into jokes but hopefully someday I’ll be able to use them!
What career aspirations with comedy do you have -stand-up only or film and television too?
I really love performing stand-up, so I want to continue with it and go as far as I can. I’d certainly love to explore film and television. I really haven’t done anything with either film or tv outside of stand-up related television type things, but I’m open to anything. I’d also like to keep writing comedy in some form, even if it’s just for myself.
What advice do you have or those who are considering a career in comedy?
I’d say go for it if it’s what you love. It can be terrifying, and I’m currently in college, so I still haven’t begun to really feel what it means to do it full-time. It took me awhile to convince myself to go for it. Nearly everyone I go to school with will have a nice job, working somewhere that pays a regular salary, so it often feels like I must be doing something wrong by turning down stability for telling jokes. But I would tell anyone who wants to do it to just get started right away. Open mics are readily available for anyone who is willing and even just writing funny things on Twitter or in a blog, no matter who is reading, is a great way to start. Of course, it’s important to watch all sorts of comedy because laughing often makes me more motivated to turn around and make others laugh! Also, the comedy world seems to be constantly changing and advice can get outdated fast, so take mine with a grain of salt!
There is so much to choose from on television and the big screen that I am often times overwhelmed by what to watch. I usually opt for dramatic or adventurous shows and I have my favorite dramatic actors and actresses that I love to watch. I’m usually so wrapped up in looking for a great drama that I forget about how important comedy is to television and film. Comedians play an integral role in making us laugh whether they are on stage, on television, or in a motion picture. Continuing this week’s comedy showcase, we are going to ‘turn the mic over to’ a rising star in comedy – EB4Real to tell us more about his career as a comedian.
About me. . .
‘Hi Reel Focus readers. My name is Eric Brown but I go by the stage name EB4REAL. I was born and raised in San Diego, California and as far back as I can remember I have always been funny – if I must say so myself. To be precise, I have to say that I became interested in making people laugh around 12 years old. I would play this game with my friends that we over here on the West Coast call “snappin’ in the street.” For those that don’t know what this is, snappin’ is when you go back and forth ‘snappin’ on your friends, finding things about them to joke about – their clothes, their looks, their hair. We also would play a game called “playin’ the round table” which is roasting game similar to ‘snappin.’ Aside from these games I played with my friends, I used to go to school and amuse my school friends with my jokes. I was quick-witted and when my teachers said something to me, I would have a hilarious comeback that would often amuse my friends and annoy my teachers. So as you can guess, I was a class clown in school. I am a natural born jokester and I recall when I was 18, my girlfriend Carmen – now my wife – couldn’t stop laughing at me and asked “How many jokes do you have?” My response to her was “I have a million of ‘em'”and they still haven’t stopped coming out.
How I got my start. . .
Fifteen years ago, I decided to take this natural gift to make people laugh and turn it into a profession. I wasn’t someone who kept up with the comedy scene or with who the famous comedians were; but, I knew deep down inside that I was a comedian and I wanted to share my talent with the world. At that time, I did my first 3 minute open mic at The Comedy Store in La Jolla, California. I admit that I waited impatiently outside for 3 hours to make my debut but when I finally hit the stage, it was a fun experience that I have cherished ever since. I would say that this first open mic was when my professional career as a comedian began. That first open mic is behind me now, but since that first audition, I started to write and work on more material once my son was school aged.
My Style. . .
My style of comedy is what I would call down home comedy – I observe people and things in everyday life and joke about it. My comedy is mature and meant for a sophisticated audience. I admit, being a comedian is not an easy profession. I often find that my biggest challenges are that there are too many cliques and not enough support to help me grow and develop my talent. The industry is very subjective but that doesn’t stop me from pursuing my passion.
My career aspiration. . .
There are many levels of performing stand-up comedy and it’s just about getting regular stage time for an audience who appreciates my brand. I am a big fan of Tyler Perry’s productions because he offers opportunity for exposure. In the future, I would like to explore a role in a romantic comedy either on television or on film.
My Advice to aspiring comedians. . .
DON’T DO IT!!!! (laugh) Just kidding but this is a difficult profession and if you’re going to pursue comedy as a profession then my advice is to get into the industry be serious about it. Don’t do it just because you enjoy watching comedy. That doesn’t mean you belong on stage. This is my passion, my way of life and the reason I wake up every day and keep pursuing it. I enjoy making people laugh and if you want to survive in this industry, you should too.
Comedy has been a significant part of acting and theater since the ancient Athenians. They often performed on stage using two types of masks to convey human emotion: tragedy and comedy. This week, Reel Focus will highlight comedy in its second annual comedy showcase. We will feature The Improv Atlanta comedy club, comedian Eric Brown (a.k.a. EB4real), and comedienne, Sierra Katow.
The Improv is more than just a comedy club; it is a household name in the world of comedy. Some of the most famous comedians we know today got their start or became a well-known act by performing on its stage. Here to tell us more about The Improv comedy club located in Atlanta, Georgia is Stephen de Haan, President of Andrews Entertainment District.
Stephen, thank you for sharing this information with our readers. First, tell us this comedy club’s connection to television and/or film, past or present.
The Improv was founded 50 years ago in New York City by Budd Friedman. Throughout that time, The Improv has been a proving ground for talent not only with its own TV program An Evening at The Improv on A&E, but also with original Improv staff members moving into film & TV, with one later becoming the head of HBO.
Who are some well-known guests that have made appearances or have gotten their start with The Improv?
The Improv has always been where great comedians get their start. Jay Leno, used to drive in from New Jersey hoping to get stage time at the Improv. Others famous comedians who started at The Improv include Jerry Seinfeld, Chris Rock and Andy Kaufman just to name a few. Recently, we had the pleasure of hosting Marlon Wayans and George Wallace in May for five shows and greats like Jim Breuer and Kevin Nealon booked for later this year.
How does The Improv compare to other local comedy clubs in Atlanta?
The Improv is truly a national comedy brand with 24 US locations all striving to provide the best comedy experience available. That goes from the amazing national headlining comedians that we fly in, to the large variety of food and beverage offerings, to the quality of the showrooms themselves. We still make a poignant effort to support the local comedy community such as working in tandem with Laughing Skull Lounge to host the finals of their annual comedy festival.
How is The Improv preparing aspiring local Atlanta comedians for stardom?
Performing at The Improv is a huge milestone in the career of a successful comedian. We offer open mic nights on Wednesdays as well as eight week stand up comedy class taught by nationally acclaimed comedian Josh Harris from NBC’s Stand Up for Diversity. Both opportunities help boost public speaking skills, become a funnier more confident person and strive to be a professional com
edian. The Improv hopes to continue to give upcoming comics a fantastic platform to hone their craft and deliver amazing laughs to our crowd.
CBS will be hosting another enchanting evening of the Tony Awards – its 69th enchanting evening to be precise. The Antoinette Perry Award for Excellence in Theatre ceremony, better known as the Tony Award ceremony, will attract thousands of prestigious Broadway stars to Radio City Music Hall on June 7, 2015.
The ceremony will begin with the Red Carpet show – the first-ever in Tony Award history – and will feature hosts Darren Criss and Laura Osnes.
The Tony Awards ceremony will be hosted by Kristin Chenoweth and Alan Cumming. Guest appearances will include Bradley Cooper, Neil Patrick Harris, Jim Parsons, Kiefer Sutherland, Sutton Foster, Taye Diggs, and Taylor Schilling to name a few.
There will also be a simulcast of the Tony Awards on Clear Channel live from Times Square featuring hosts recording artist, Deborah Cox and former American Idol and film star, Justin Guarini.
A few of the nominees and categories included will be:
Joshua Bergasse, On the Town Christopher Gattelli, The King and I Scott Graham & Steven Hoggett for Frantic Assembly, The Curious Incident of the Dog in the Night-Time Casey Nicholaw, Something Rotten! Christopher Wheeldon, An American in Paris
Best Performance by an Actress in a Leading Role in a Play
Geneva Carr, Hand to God Helen Mirren, The Audience Elisabeth Moss, The Heidi Chronicles Carey Mulligan, Skylight Ruth Wilson, Constellations
The Curious Incident of the Dog in the Night-Time Disgraced Hand to God Wolf Hall Parts One & Two
Best Direction of a Play
Stephen Daldry, Skylight Marianne Elliott, The Curious Incident of the Dog in the Night-Time Scott Ellis, You Can’t Take It with You Jeremy Herrin, Wolf Hall Parts One & Two Moritz von Stuelpnagel, Hand to God
An American in Paris Fun Home Something Rotten! The Visit
The show starts at 8:00 pm eastern time.
A walk down the Tony Award’s memory lane. . .
The Diary of Anne Frank (1959) – Tony Award Winner for Best Play
Revenue for film began to grow here in Georgia as early as 1972. As film began to generate a substantial amount of revenue – former Governor Sonny Purdue – revised the House Bill 610 (originally passed by Governor Roy Barnes) incorporating the revised Entertainment Industry Investment Act that we now have today. After that act was passed, Georgia began to change the game in the world of film. From being one of several top contenders vying for a number one spot outside of California and New York for film, it has outpaced the competition and is leading the way amassing over 5.1 billion in the last fiscal year alone.
Film is big Georgia business but as of 2013, it has become big Atlanta business. In order to step up efforts for film in the City of Atlanta, Mayor Kasim Reed called upon the expertise of LaRhonda Sutton, Director of the City of Atlanta Office of Entertainment, “to support the city’s rapidly expanding film industry.” This week, one of her dynamic team members, Lorielle Broussard – Marketing & Communications Manager – will share with Reel Focus readers what is going on in film with the City of Atlanta and how this office will help usher in developments in this industry.
Lorielle, it is an honor to have you on Reel Focus blog speaking to readers about the exciting things taking place in film in Atlanta. Tell our readers about how the office was started and what its vision is.
The Atlanta Mayor’s Office of Film & Entertainment was started in July 2013 to provide a one-stop-shop for productions interested in filming in Atlanta. Our office acts as a facilitator for productions to usher them through the city of Atlanta offices that they need to go through in order to make their projects happen. In doing this, it was created to streamline the permitting system for film and TV productions, assist with facilitating employment of local talent, create production-related educational and training opportunities, and work with community leaders to safeguard the interests of residents and businesses affected by film productions.
Georgia has several cities within it, vying to be the film capital within Georgia. Does Atlanta plan to become the premier place for film in Georgia and if so, what initiative is it taking to become as popular for filming as Fayetteville, or Senoia, or Covington.
As of right now, 75 – 80% of filming already happens in the city of Atlanta but part of the vision for this office is for Atlanta to be the cultural, economic and entertainment center of the Southeast, the nation and then the world. I think several of the new developments that are creating connectivity and walkability within the city of Atlanta like the new streetcar, the beltline, redevelopment of the Underground, the new stadium, the National Center for Civil & Human Rights, Buckhead Atlanta, etc. are really making Atlanta the place to film in Georgia. I think one of the major attractions to film in Atlanta is that there are several locations within the city that can look like any other city in the world, which is a huge draw for productions and producers.
As we all know, Georgia is growing rapidly in film. According to the Georgia Department of Economic Development website, television, film, music, and gaming and digital media are attracting many to Georgia, generating 5.1 billion dollars in FY 2014. Tell us how much of this can be attributed to the city of Atlanta and how the Atlanta Office of Entertainment plans to become an even more substantial part of Georgia’s earnings in this fiscal year.
I know that we had a hand in the increase in the revenue generated for the city and the state. We do provide all of the permits for every production that films on public property in the City of Atlanta. In FY14, the revenue generated from permitting was at about $494,070.00 and since filming is tripling this year in Georgia, I know that there will be a significant increase in the amount generated from permitting for FY15.
I’m sure most of you have heard of the new hit series on Fox called Empire and you may be familiar with some of its characters – Lucious, Cookie, Jamal, Andre, and Hakeem. But one person you may not be familiar with is Attica Locke. Lucious and Cookie may be the face of the hit series but Attica is one of writers for the series. This week, Reel Focus will explore one of the geniuses behind this phenomenal new series and will focus on how she built an “Empire” of her own.
Attica thank you so much for talking to our Reel Focus readers. We all of course are excited about your recent success with the new show but I want us all to go back down memory lane and get to know Attica Locke. How did your writing career begin?
AL: I have always been writing, even as a child. But somewhere around high school, when I saw Spike Lee’s Do the Right Thing, something clicked inside me and I wanted to be involved in film. I started writing scripts. I went to film school at Northwestern University in Chicago and then moved to LA as soon as I graduated. I wrote scripts exclusively at that time, but I was only thinking of them in terms of being a path to directing. I was a fellow at the Sundance Institute’s Feature Filmmaker’s Lab and came out of that with a movie deal, which collapsed shortly after. It broke my heart. I was 25 years old. I knew I could write but was not certain at that time that I would ever get my own movie made, or that Hollywood was interested in my kind of black stories. So I became a studio screenwriter. I made a lot of money writing scripts for every major studio. I did it for years, but nothing ever got made. I grew bored and disenchanted and decided to write a book. That was three books ago.
What is life like for you outside of Hollywood?
I am someone’s mother. So that’s mostly my life outside of Hollywood. Soccer games and play dates. And I read A LOT.
I myself am a book writer and screenwriter and so I’m going to ask this question on behalf of me and other fellow novelist and screenwriters. How did you make the successful transition from a book writer to a screenwriter and what advice can you give to the ladies of Women in Film and Television Atlanta?
As you see above, I was a screenwriter before I was a novelist. I came back to Hollywood because TV has gotten really interesting over the last decade or so. All the stuff I was doing as a feature writer – character dramas, political thrillers, etc. – has all moved to television. It’s hard to live off book money in Los Angeles, so I went to my agents and said I wanted to explore TV. I went in with an idea for my own show, but I also told them I’d like to look at the pilots that were going to series, and I wanted to take meetings. I had never done TV, so I was stepping waaayyyy outside my comfort zone. But I kept saying to myself, almost like a mantra, “I’m willing to be uncomfortable.” When I read the script for Empire, I knew I wanted to be part of it from the first page. It took a lot of meetings, but then I got the job!
My best advice is always to write, write, write, and be willing to stretch yourself. Reach high and stay ambitious. And believe in the power of your own voice.
Finally, the moment we have all been waiting for. Let’s talk – brag about your involvement with Empire. According to IMDB, you have co-produced 11 of the episodes of the first season and have written one: “Our Dancing Days.” I will let you share what you like to about this episode or about the show in general.
I love the show because it’s so fresh, so unprecedented. I’ve never seen these characters on TV before. I’ve never seen a Cookie on TV, though I’ve known them in my real life. I’ve never seen a Jamal on TV before, though I know young men like him in my real life. It’s all a breath of fresh air. And I love the fact that the show lives in a kind of high, low place. We do big soap opera turns and crazy plot twists, but we also deal with social issues like homophobia, mental health, race, and class. My favorite part of the episode I wrote was when Cookie took over the stage and gave the speech to investors in Lucious’s place. It was pure Cookie.
About a week ago, I – as did other WIFTA members and non-members alike – had the opportunity to listen to the zany presentation by Alex Orr. He filled the room with laughter about making it in independent film but his topic was no laughing matter. Despite the humorous comments, Alex was spot on when it came to educating the audience about the ins-and-outs of being an Indie producer. One of the first most memorable statements that he made about being a filmaker in general is:
“You do what you want and you don’t have anyone telling you what to do”
From there, he went on to explain some not so positive sides of producing Indie films but still critical to the role. “An Indie film producer wears many hats and may have to perform most if not all of the jobs that may be delegated to others for big budget films.” As he made this statement, he then pulled up a sample film budget, complete with all the detailed line items from a big budget film. This was followed by his reasoning for why most of these things are NOT NEEDED by and Indie producer.
“Minimal location changes and few scene changes in your film can take costs down tremendously,” said Alex. Many blockbuster films like James Bond films and Fast and Furious films have countless scene changes but these scene changes can drive up costs. Another significant point that Alex made is “if you wait on financing for your film, you will never get it made. Set a date and move forward with what you have.” Many have a tendency to go into analysis paralysis especially when analyzing budgets but going with the flow and not waiting on everything to fall into place is the way to go, according to Alex. “Get friends and family involved in order to keep down the costs of the film but compensate them with things such as providing meals,” Alex pointed out.
As Alex continued down the list, striking out a host of irrelevant line items for Indie producers, he responded to someone’s question about cameras to use. He mentioned the Arie Alexa camera as the one he often uses but he also shocked us when he told us that an Apple iPhone can be used. “With a zoom nearby you can sync the sound while you capture the image and cut it in editing software like iMovie,” explained Alex.
Alex ended the night by reminding us about how short an Indie budget should be. “While a big film budget will be generally 44 pages, Indie budget should be somewhere around 4.” He also reminded us that legal fees is one of those things that can be striked from the list of things needed in the budget; however, Indie film producers should make some serious considerations with regard to payroll or this could result in unwanted legal action. The audience digressed into this topic of payroll in film. One important point that was made is that it is important for an Indie producer to decide whether to use a payroll company to pay crew as independent contractors or to pay crews as employees using a 1099. Interchanging the two inadvertently can result in actions taken by the Department of Labor. This can be a really sticky issue as one audience member pointed out from her experience.
We ended the night on a great note. Alex took some questions from individual audience members and the remaining lingering audience members mingled. Those who were leaving also enjoyed a great treat, courtesy of WIFTA, from a place called Vintage Frozen Custard. Mmm. What a night filled with treats indeed – both Alex’s advice on Indie film and the custard.